Cult Films Essay

Eccentric, offbeat, weird, unique and catering to esoteric tastes of a in particular pocket-size assort and number of individuals, frenzy photographs or hysteria films are the call for opposite of the blockbuster, hollywood and hollywood-type mainstream feature films being screened in major film houses today. frenzy movies usually acquire a cult following, groups of individuals whose particular tastes and interests go along under the films wing.Classic cult films which come to estimation are that of Stanley Kubricks controversial A Clockwork Orange (1971), Francis Ford Coppolas anti-Vietnam war movie Apocalypse Now (1979), Ridley Scotts loose comment of a Philip K. Dick novel, Blade Runner (1982), and the quintessential cult undefiled The Rocky Horror Picture Show (1975) by Jim Sharman. While cult films range from a variety of genres such as crime, suspense, science fiction, inconsistency and so on, some cult films are deemed uncategorizable and exist in a genre which c ould only be labeled as such cult.The degenerate of characters which appear in most cult films are barely cognise to the general viewing public. These are artists who are in the initial stages of their careers, others gaining a certain degree of fame and recognition from the said cult movie, and on a few(prenominal) occasions, a select number of renowned actors and actresses gracing the part of often particularly quirky and outrageously and/or obscuredly sketched characters in an equally obscure and fibre setting and environment.The most recent cult films of today range from the local anesthetic independent, to foreign movies packaged for different countries, to even top grossing movies well authoritative by the mainstream movie viewing populace but regarded as a cult movie because of its ability to garner a particular group of dedicated following, which it would seem is growing in numbers, an example of such a cult movie is George Lucas Star Wars.The cult movie of today has t aken a different form, although catering to esoteric tastes, these movies have also garnered a significant amount of mainstream appeal. Such is the case with Quentin Tarantinos Kill Bill, stock by a greater number of following subsequent to his low gear cult flick, Pulp Fiction, which seemed to have revolutionized and brought considerably significant amount of wedge to the aspect of film making as it deals with aesthetic, style and content.The apparent brazen content and material which critics refer to in Tarantinos film mount reflects and probably sums up cult ideologies and what cult movies are generally about. The movie viewing populace of today is becoming less discriminate and blurring lines of that of the cult and mainstream movies, and viewing these films for what they are, a pastiche of shared beliefs, opinions, ideologies and meanings as interpreted by a director who subscribes to individuality and captured on over an hour or so of reel and screen time.It may or may not reflect the particular persuasions and leanings of the general populace and the rest of the masses, but as long as it applies to one individual, and an esoteric few, it makes every amount of difference. References Cult Films. Film Site. Org. Tim Dirks. (2007) Retrieved 12 December 2007 Top 50 Cult Films. pleasure Weekly. Retrieved 12 December 2007 Top Cult Films. Dermansky, Marcy and Fauth, Jurgen. Retrieved 12 December 2007 .